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Seventh Sojourn is the eighth album by the Moody Blues, released in October 1972. The album reached No. 5 in the United Kingdom, and became the band's first American chart-topper, spending five weeks at No. 1 there to close out 1972.
The sessions were an unhappy time for the group. Sojourn would prove to be the group's last album together until 1978's Octave. Remembers drummer Graeme Edge, "At the time of recording Seventh Sojourn, it was my least favourite album. But years later, after coming to it with fresh ears and away from all of the pressures of that time, I realised that it was really rather good!"Powell, Mark. Liner notes essay, 2007 Seventh Sojourn SACD Deluxe Edition.
Though it's overall the eighth Moody Blues album, Seventh Sojourn is the seventh album featuring this specific line-up of musicians. The first Moody Blues LP, The Magnificent Moodies, featured a substantially different line-up and sound when compared to the group's subsequent work.
Hayward's "New Horizons" was inspired by loss. He explains, "It was at a really tough time in my life. I’d not long lost my father. There was quite a lot of death around me, and I was having to cope with that and work out how you handle that and what you do and how you can get through it. It’s very poignant to me."The Moody Blues Album Covers by Phil Travers. November 18, 2020. The Music Aficionado.
Ray Thomas recalls writing his longing love song "For My Lady": "That was really just after my divorce. Basically I'm saying I'd give my life for a gentle lady."
Lodge remembers the inspiration for "Isn't Life Strange": "That song wrote itself, strangely enough. I was with my wife, and a couple of friends, and I have a baby grand piano in my drawing room in my house in England. We were having dinner and I could hear this tune in my head and I excused myself. I went over to the piano and, basically, I wrote the whole song, then and there. It only had one lyric at that time, 'Isn't life strange.' I wrote the music right then and there. I remember going to bed and wondering, 'I wonder if I have written that song, or if it was something else? In the morning I am going to go downstairs and play it and see if it stands up.' It did. That next day I sat down and wrote all of the lyrics. The other thing, which is really interesting about that, and shows how things have changed, is that we did all of our vocals on that song on a Friday night, out of necessity, as we were leaving for a tour of America. We landed in New York and we took the tapes to London Records on a Saturday in New York and it was released as a single the following Friday. That was a different time then. It is unheard of today. It moved fast and it was so unbelievable."Wright, Jeb. CRR Interview - John Lodge – a Long Time Ago, and a Long Time from Now! Classic Rock Revisited.
Pinder's "When You're a Free Man" is addressed to Timothy Leary, who befriended the band after the release of their song "Legend of a Mind". At the time, Leary was imprisoned on a marijuana charge. In a later interview, Pinder defends Leary: ""He's a tremendous humanitarian with a tremendous capacity to bring people together. He's magnetic and he attracts negative energy as well as positive."Moerman, Mark J. "Michael Pinder: One Step into the Light". Higher and Higher. Issue 5. Summer/Fall 1985
Lodge wrote "I'm Just a Singer (In a Rock and Roll Band)" as a response to fans who mistakenly read guru-like wisdom into the group's lyrics.The Moody Blues: Legend of a Band documentary. 1990. He recounts one particular event that inspired the song: "Somehow, some of our fans attributed us with having the answer to the universe. I remember coming home from a tour of the US and when I got to my house I saw all these people camping out in the front yard. I asked what they were doing and they said, 'We've been told you're going to fly the spaceship that's going to save us all.' I actually don't like flying! I respected that young people at that time were looking for answers but like I said in the song, 'If you want the wind of change to blow about you/And you're the only other person to know, don't tell me/I'm just a singer in a rock and roll band.'"
The album is notable for Mike Pinder's use of a new keyboard instrument, the Chamberlin, alongside his familiar Mellotron. Hayward discussed the instrument's advantages: "We'd found a great replacement for the Mellotron, an American instrument called the Chamberlin. It worked on the same principle as the Mellotron, but had much better quality sounds – great brass, strings and cello and so on. With the Mellotron you had to overdub and overlay it, adding echo to get it to sound nice. The Chamberlin was a louder instrument and had a much better sound quality."
Each of the band members recall the sessions being an unhappy time for the group. According to Hayward, "The album took a long time to make and I found it a painful experience. It became obvious to me that the five of us wouldn't make another album. We didn't argue, it was just an unhappy time. No one was really enjoying the creative process and it was a struggle to get things done." Graeme Edge adds, "It was a strained and awkward period for us. Mike Pinder, particularly, found it difficult. We were all exhausted and had become prisoners of our own success." Thomas remembers, "By the time we began the sessions I think we needed a break from each other. Up to that time everywhere one of us went the others would be there too. All my experiences were their experiences." Lodge continues, "Unwittingly, we'd called time on ourselves via the title Seventh Sojourn. According to the bible, 'thou shalt rest' on the seventh day. The word "sojourn" means to call a halt. We needed to escape from our cocoon and get out and meet ordinary people once more to return our lives to something more recognisable as normality."
The band made one more attempt to record an album in 1973, without success. That year, they embarked on a highly successful but fatiguing world tour. Lodge remembers, "By then we were subject to lateral pressures which we'd brought on ourselves that were outside of music. On our 1973 tour we had our own Boeing 707 aircraft which was decked out with a sitting room and a fireplace. There were two bedrooms, some twenty individual TV's, sound systems everywhere and we had our own butler and our name written on the outside of the plane. I had a very empty feeling knowing that things had got this excessive." He continues, "By 1974, we had touring companies, we had our own record company, we had offices, a string of record shop stores we had across the south of England. We had forgotten the most basic thing, we stopped talking to each other! We shared all the same emotions and experiences together, we really didn't have anything to say to each other. We said, let's take a break and get rid of the clutter. We did! We waited until the time was right to get back together then we put out Octave."
In 2008, a remaster for standard audio CD was issued with the same bonus tracks.
Record World rated "I'm Just a Singer" and "Land of Make-Believe" as "dynamite cuts".
Classic Rock History critic Brian Kachejian rated three songs from Seventh Sojourn as being among the Moody Blues' 10 best – "New Horizons", "Lost in a Lost World" and "For My Lady".
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